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TB: Of course, not! But by the time our generation was out of school the economy stabilized and Mexico emerged as a global player. My whole family are architects. TB: Not really. To me, there is a difference. We should not project the future, we should imagine the future. We explored so many possibilities on so many fronts. Then I went to Italy to study industrial design for a year. What I like most is the innovation in thinking about how architecture is done. VB: Was architecture something you were attracted to from childhood? But in general, Mexico is incredibly innovative. It was the time when architecture became a trend globally Guggenheim Bilbao was built. Before that, there was one financial crisis after another, several devaluations In the 80s and 90s, it was impossible for architecture to emerge. For example, last semester I selected a site for them right here in Mexico City and I challenged them to design the place the way they see it in I asked them to think about the look of the place and architecture then, the role of public space, how community spaces can be reinterpreted, how social housing can be not just designed but reimagined, what will happen to parking garages, and so on. Currently we are working on about 20 projects, about half are in Mexico but not a single one is in Mexico City. For me, that is the most important part of architecture. VB: You built projects outside Mexico, including in China and you travel and lecture internationally all the time. But it should be the other way around. There are all kinds of celebrations, demonstrations, and cultural exchanges that take place right in front of our office. When I came back to Mexico I knew what I wanted to study. I wanted to be right here and that is the reason why we have a lot of glass here in the office. Utopia has died. Are you still interested in that kind of architecture? This was the generation of Alberto Kalach and Enrique Norten. TB: I like to provoke, I like to extract ideas out of students. VB: You started your firm with other partners, including Fernando Romero. I was born in Mexico City. I want people who work here to be aware of the city and the reality that takes place around us every day. I grew up very close from here. That was ; I started my independent practice with one fundamental idea: architecture should benefit every single human being on this planet. TB: We started our firm in , right after my graduation. Otherwise, we are not going to get to where we want. Jose Luis Benlliure was my uncle. Architecture is not about building a building; architecture is about building a community. My generation capitalized on these changes. Why is that? TB: Maybe it is a contradiction but I feel like the most innovative projects are done in Mexico, all over the country. We organized exhibitions, invited important curators and architects to give talks and bring their exhibitions; we designed utopian houses for artists. There is very little knowledge about Mexico in the world and even in the US. Where do you think you felt most energy and drive for innovation? We are witnessing an interesting intersection of different interests in architecture—people I went to school with, we were on the tail of the generation that was fascinated by spectacle, whereas now the shift is towards social aspects; this mix is generating very interesting results. My students are in the US. But little by little, I understood what architecture was really about, which was—people. People should think and propose new ideas that would make our lives better. That experience allowed me to understand what I really wanted to do in architecture. We need to be a part of the street. My roommate there studied architecture, so I ended up helping her with all of her projects. It is often apparent that students like to do what they are told. VB: You rarely build in Mexico City. There are forward-looking projects that are being done in Mexico City , Guadalajara, Monterrey, Tijuana, and other places. TB: Yes, since I was born, I think. TB: Well, I resisted for a very short period of time. Do you teach here? Could you talk about those early days? In other words, architecture is not just about buildings. In fact, it was hard to survive as an architect back then. But I always provoke my students. I think it is one of the best cities in the whole world. You are right, we are a bustling metropolis and our office is right in the middle of it all on Paseo de la Reforma. It was an interesting and important moment here in Mexico. We were active and wanted to be independent. Tatiana Bilbao: Absolutely. And my office, literally is my family business—my sister Catia Bilbao and my cousin Juan Pablo Benlliure are my office managers. VB: So you really had no choice but to become an architect, right? There is a lot of interest in innovation, particularly on the part of my generation and younger architects who are addressing issues of architecture that are sensitive to people. Every semester is different. More and more, architecture is about building communities. Beauty is important because it elevates our spirit. We did what everyone was doing—the blobs. But I always look forward to working on projects right here! My grandfather was an architect. Then everything flipped. There are so many concrete ways to go about that. Then I realized that I wanted to do something completely different from my partners. I like to explore many possibilities. So when I was 18 I entertained the idea of becoming a biologist. Perhaps the innovation is not in forms and materials; for those aspects, you may need to go to other places. I was trying to be a rebel. Everyone should be involved—sociologists, philosophers, politicians, economists, designers, architects VB: Your office is located in the heart of Mexico City , a bustling metropolis but most of your work is elsewhere. We know so much more about America than Americans know about us. It is important for me to make a statement about that and teach others about who we are. We were all preoccupied by the forms we could do and how we could amaze the world by building them. Well, I think it is very important for me to teach abroad as a Mexican. I love the city.